Saturday, April 7, 2012

Styling WHO'S HUNGRY?

If you are a regular reader of Still*Life~Style, you have undoubtedly admired some of the images I have styled for food photographer Stephen Hamilton. Stephen is a true master of lighting, with the exceptional talent to create intimate images that are the benchmark for capturing taste appeal through food photography. In fact, this add says it all:



On that note, I am encouraging you to be a little naughty today, and take a peek at Stephen's first issue of WHO'S HUNGRY? the online magazine. I was extremely excited to style this early spring edition, and can tell you first hand that everything Stephen does, he does well. In support to the stunning images, you will find special recipes like this one for the Violette cocktail served at The Aviary




And feature articles, such as one on mustard, inspired by Stephen's recent work in Napa



The magazine also takes you behind the scenes for a look at life in a top food photography studio. I'm in the WHO'S HUNGRY? Stylist's Corner this issue, challenged by Stephen to bring spring moss to the table. Stop by and see what I came up with, without using moss at all!

Paula

Wednesday, November 16, 2011

Outside the Food Studio: Photographer Justin B. Paris

After a recent shoot, a group of us met for a light dinner and cocktails. It's always great to socialize outside the studio, the work day can be intense with little time to catch up. The funny thing is, undoubtedly the conversation turns back to some aspect of food. We are like the parents enjoying a night away from the kids, who can't seem to stop talking about the kids.

For many of my colleagues, food has a strong presence in their personal time as well. Just as I enjoy the relentless search for new prop inspirations, many people that I work with have passions related to their role in food photography.



Photographer Justin Paris is a perfect example. An incredibly talented food and still life shooter, (earlier this year I showed you some of the images we shot together in this post), Justin and his wife Andrea have a deep commitment to the farm to table movement. His blog, alimental prologue, is an intimate look at the farms just beyond this sprawling city. As so many of you are also of like mind about the food you consume, I asked Justin about their dedication to this way of eating, and the path it has led him down.




SLS: Justin, when did you first become involved with local food?

A decade ago my wife and I spent a few years living in northern California. Our entire food world changed there. We had access to foods that were previously unknown to us. We had fruit trees in our backyard, we planted a garden, I was vegetarian for a period of time. Our food philosophy has grown and evolved since then but that’s really when it began for us.






SLS: How challenging has it been to stay on track with the decision to eat local?

That depends on how you emphasize it. I think that it is important for us all to make changes in our lives that will not only better our own quality of life, but also those around us, especially our children. However, in making changes I have always believed that it’s a gradual process that takes many steps. You just can’t abandon everything at once and you can’t ignore the world that we live in. You can’t just give up all fossil fuels in a day or retrofit your house tomorrow to become “greener”. It’s not an achievable goal. It’s all about minimizing and moderation. The same is true with eating local. We have always been concerned about the foods that we eat. That was a foundation laid by our parents and for them by their parents. Because of that, our cabinets and fridge have never been filled with lots of processed foods. But they were still there and some still are. We just took a look at the types of foods that we were eating, where we were sourcing them, and changed what made the most sense for us. We still buy pretzels and tortilla chips, canned beans and tomatoes, avocados and citrus, cashews and coffee, and juice boxes for our little boys. But the kitchen is mostly just filled with ingredients now. When you get to that point, it really becomes easier to source locally. It will never be as convenient as grocery store shopping but it does become easier. We just threw a party for 30 family members at our home. The menu was four homemade soups and three homemade breads. We planned seasonally and sourced as much as possible from our local farmers but the reality of the menu made it necessary to shop at a conventional grocery store as well. We could easily get the meats, butter, flour, eggs, popcorn, fruits and vegetables that we needed from the farmers market. But we needed yeast, salt, lentils, beans, and lots of broths. It’s a process. Our approach has been to do as much as we can as often as possible. And in all honesty it’s the quality of the food keeps bringing us back.






SLS: What's going into your garden next year?

I am so excited for the next growing season. This year we grew some things that we had not in the past and realized that we needed more space to grow all the things we want. I just finished adding almost 200 square feet of vegetable beds. With luck we will be planting in half of that next season and the rest by the following year. We also added a huge wildflower garden. Combined we managed to remove over 500 square feet of grass from our yard. This season I rescued and planted two blueberry bushes and next year we will transplant raspberries from my in-laws’ yard. The current plan is for chard, kale, carrots, garlic, onions, basil, thyme, oregano, cilantro, cucumbers, tomatoes, squash, jalapenos, poblanos, eggplant, broccoli, and maybe watermelon. Our oldest son loves planting, watering and harvesting and our little one will be trying some of those things for the first time. It’s almost silly how excited I am about it.





SLS: As I read alimental prologue, I sense a very deep and genuine respect for the people who work the farms and fields you visit. What insight have you gained about their way of life?

I am so glad to hear that that comes through to the viewer. I go to these farms to create images but I also want to tell a story. Over the past year I have spent a lot of time at markets and farms just talking to the producers. Every one wants to talk about what they do. They’re all proud of their processes, their successes, and even their failures. Growing food is not easy. And making a living at it is even harder. You can see that on a farmer’s face. But you can also see how much they love doing it. It’s important for them that they do. Farming is in their soul. I don’t think you see that kind of dedication just anywhere. How can you not want to support that? These are good people doing good things. And working really damn hard for not much monetary reward.





SLS: As a society we tend to disconnect with where our food comes from. Thoughts about the livestock farms?

As a species we do a lot of things that don’t make sense. It doesn’t matter what we are talking about, it’s not specific to our food system. We never fix the core problem we just come up with solutions to solve the short-term issue. It’s sad. Commercial feedlots serve our insatiable appetite for meat. They were the short-term solution. The core issue is how we view consumption and waste. But tackling that won’t make a corporation wealthier. The thing that I love about sourcing our meat locally – which we now do exclusively – is that the farmers that raise these animals really care about how it’s done. Sure, they need to make a profit, but never at the cost of compromising their philosophies on health, sustainability, and animal welfare. When the philosophy is most important, the result is a far superior product.



SLS: You always come away with such beautiful shots. What kind of reaction do you get from the farmers when they view the images?

My hope is that they value my work in the same way that I value theirs. So far the results have been positive.




SLS: What is the personal mission behind your blog?

I really wanted to make beautiful images. There never was a plan to blog. It all began as a personal assignment to build a catalogue of farm photography. But after my first trip to Hasselmann Family Farm the whole motive changed. It became about knowledge and understanding. And about sharing. It suddenly switched over to personal motivation rather than business motivation. It’s still certainly applicable to my photography business but the motivation has become much more philosophical. The whole process has made me feel more complete as a person.

SLS: Thank you, Justin, for taking time out to share your thoughts and photography. We'll be following you through the farms and fields on alimental prologue!

I'll be introducing you to more of the amazing people I am fortunate to have as co-workers and friends. They are truly a source of daily inspiration.

Tuesday, November 8, 2011

Winter Blues

I don't really have a favorite color, but blue has never been high on the list. There is not a room in my house with even a hint of blue. Lately, though, it has been showing up more in my styling and props. I have been craving certain blues, winter blues, intense and sometimes odd shades that have a richness on camera.

There's hints of it showing up in some of my more rustic pottery and wood backgrounds, splashes of blue glazes,paints and stains that play against weathered browns and grays.



Washes of blue in hammered,transparent and frosted glass pieces.



Blue is the reason I bought this silly vintage dog glass, I guess.

It has me looking at props that I normally would pass up, busy antique patterns to explore. Flow blue,cobalt,indigo, woad... blues so deep they look forest green or black in certain light. They are all on my radar these days.



I've been experimenting with different tones and layering blues with teal and black.




Found these in my vintage fabric stash. Funky Japanese print cotton and this intense blue fabric that is not quite cheesecloth and not quite tulle netting. It is kind of interesting over another surface & tone, adds another dimension. I'll have to come back to this later!



In the end, color can be a powerful propping element when it is in the right light and setting. What color is your world these days?

Paula

On Camera with Photographer Chris Cassidy: from the deep blue sea

Sunday, October 23, 2011

Back to Blogging!

It has occurred to me that we have moved from one season to another since the last time I was able to post here! Time seems to move so quickly, the days melt from one into another, and soon a week has gone by, then a month. Then two months. Is it like that for you, too?

It's serious catch up time now and I have some interesting things in the works for this blog, so please stay tuned as I try to get back on track. I've found some great props and surfaces to show you, and have been adding new items to the Still*Life~Style shop. Thanks to all of you who have stopped by Etsy! I must say it is very exciting to see some of my prop finds making their way into my favorite blogs, blending seamlessly into each photographers' personal style and vision. Here are some perfect examples that you may have already been admiring:

Helene Dujardin's Roasted Pepper and Ricotta Tart, recipe in this recent post on Tartelette, those wonderful veggie colors popping off a SLS rustic cutting board. Looks great layered on her paint smudged wood surface.


photo copyright Helene Dujardin


Celine Steen and I share the same weakness for vintage paper straws, small jars and simple bottles. I always come away from have cake, will travel with a great recipe and a good laugh!


photo copyright Celine Steen


photo copyright Celine Steen

Meeta Wolff was able to incorporate lots of the props I sent for the Plate to Page Weimar workshop into her posts at What's for Lunch, Honey? I think the shots look wonderful, she has such a great feel for color placement! By the way, Meeta and team are currently into their second workshop in Tuscany and working on putting together number three in the UK. You can follow them here, and check out the post I wrote for them about commercial photo assignments.


photo copyright Meeta K. Wolff


photo copyright Meeta K. Wolff



photo copyright Meeta K. Wolff

Hope to have more of these images to share with you soon. I have had some very talented prop stylists come through the shop, and it's always interesting to see how other stylists "see" the props differently. New things are always coming my way (I shop a lot faster than I post, evidently!), contact me through my website at chicagophotostylist.com for prop sourcing requests.

Paula

Wednesday, August 3, 2011

Tips for Propping and a Guest Post on Gourmande in the Kitchen

Recently, Sylvie of Gourmande in the Kitchen asked me to do a post on prop styling as part of her Language of Photography series. It is one of my favorite blogs for so many reasons, so of course I happily accepted! Both Sylvie & I have been asked on numerous occasions just how we go about selecting props, and where we draw our inspiration from. I came up with a list of suggestions to help channel the process. This can be especially challenging if you are new to food photography, but believe me, everyone hits a creative dry spot now & then, much like writer's block.

The thoughts I've posted on Gourmande in the Kitchen in my guest post focus on building a set around a chosen prop, using more unconventional food presentations, and storytelling. I'd like to finish up here with another approach, using the elements of art and design. Sylvie covered this in her second post of the series, highlighting these elements used compositionally. I've chosen some of my portfolio images where the props add a strong element of art to the image.
In terms of styling, it is a more abstract thought process than the others I've suggested.



Photographer: Stephen Hamilton


Color: everyone knows by now that white on white creates a clean canvas that makes food color pop. You can use color to do the same thing, if it is well chosen and the proper hue, as in the above image.

This is an intense color palette, but both food and prop elements stay within the same color families to unify the shot and still make it comfortable to look at despite all the patterns of food and props.



Photographer: Jennifer Marx

Form, shape, space: the shapes of the props are very clean and simple, a great contrast to the organic forms in the salad. The position of the fork is dramatic, but works because of the weight of the marble plate.




Photographer: Stephen Hamilton


Texture: the photographer and I wanted to play up the spiciness of this Bloody Mary. There is a layering of coarse texture in the pepper, wood cutting board and background, and the linen towel.




Photographer: Michael Maes


Line: the pan and knife both have very strong straight lines, which provide visual contrast to the softer lines of the tart and rolled parchment paper.



Photographer: Stephen Hamilton


Movement:We shot this dough a few different ways, with and without the linen. The design element changes from shape to movement with the addition of the fabric, and it becomes a more dynamic image.



Photographer: Stephen Hamilton


Balance: Even though the upper portion of the photo has more propping, the image feels well balanced. This is due in part to the strong line of the cutting board, and the shadow that breaks up the negative space.




Photographer: Stephen Hamilton

Proportion and scale: the bite size brownies below maintain their sense of scale because I've chosen props of standard proportions. Had I put them on a tiny plate with a small spoon and cup, the small size would not be evident.



Photographer: Tate Hunt for Studioside/Publications International

Pattern: the embossed repetitive lines of the pie pan create a framework for the focal point of the shot, the spoon and berries.



Photographer: Justin B. Paris

Truthfully, it is rare that I consciously think about the elements of design. I have learned to trust my eye and can usually feel when something is working, or when something is not quite right. Selecting the images for this post reminded me of how I draw on these principals every day. They are to essential to prop selection, styling and composition and the foundation to keeping the focus on the food. Learn them, and they will serve you well!

Paula

Sunday, July 17, 2011

Drying Herbs in Still*Life~Style

One of the great things my husband did for me this season was build me a wonderful raised herb garden. I was planning on planting my herbs in railing boxes, but he thought they would be too high and hard to reach. So he took this on as a bit of a project, and I ended up with a 3' by 4" garden situated at the end of our deck, where I can easily access it from the kitchen or yard.



I really love it, always having fresh herbs to cook with and use in photos is so awesome. For me, there is something very relaxing about gardening as long as it does not become too time consuming. Tending this little herb farm is just enough to enjoy and maintain on my schedule.



Bonus: storage space underneath to tuck in some of my collection of vintage rusty garden junque!




It's pretty amazing how much one plant can yield. My oregano was growing much faster than I was using it, so this morning I harvested a huge batch to dry. There was some good info here to get me started. Some I'm drying on cooling racks in the oven, using the heat from the pilot light of the gas range.



The rest I bundled to hang and dry.







I had found these great bentwood hangers (have a thing for old hangers, too) at a sale a few months back and recently thought maybe I should put them into the
Etsy shop, but they weren't quite food related like my other items...



until now! They work out great for herb drying, just tie the bundles on, and move the hanger wherever you need to throughout the drying process.
Of course, I have been trying to cook with the herbs while fresh as much as possible, and scanning my favorite food blogs for great recipes. What have you been doing with your bumper crop of herbs?

Paula

Monday, July 4, 2011

Finding Props that can Multi-Task

Recently I took an overnight road trip into Wisconsin and Iowa, ready to load my car with lots of vintage prop finds. My friends Josephine and Kim, both amazing food stylists each with their own great sense of style, were eager to come along on the hunt. We had a super time together, but actually came back with very few purchases. For me, part of the reason is that I now have tightened guidelines for purchasing my personal props. The checklist helps keep me focused and take deep breaths when I am in a propping frenzy...you know what I mean. A few simple rules:

1) The prop has to have something special about it in terms of color,texture,shape,size etc, OR be classic and timeless

2) Has to be VERY reasonably priced, less than I can rent it for from a prop house.
OR it has to be something I have not seen before, a true antique, or a prop I absolutely know I can use on an assignment, to justify paying a higher price.

3) Has to have some versatility so I can re-use it in a different way.

Here's one piece I found that is a good example of sticking to my rules, this enameled cake plate.

I was drawn to the summery blue border contrasting the white finish, the handles, and the chippy spots. It was quite a dusty mess when I dug it out of a pile of old pots and pans at the flea market, but it cleaned up well. I was so happy to see that the center (where food would rest) was clean and bright. As much as I like rust and distress, I'm not always comfortable with it being right under the food.

Because the piece is so flat, it offers lots of possibilities. Here are some quick thoughts I have for using it:

a charger plate for a casual meal...



as a cutting board surface ...




or a serving tray...






maybe layered with a cooling rack for pastries



or just keep it simple.





I paid just a few dollars for the plate, slightly over a hundred for my portion of gas, lodging, & meals to find it.

Rule #4 just added: keep the hunt closer to home!


Happy 4th!


Paula
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